SUZETTE GABRIEL-SCHOEBITZ, a former professional ballet dancer, founded Suzette One of a Kind Jewellery in 1994. Born in New York City, her work reflects her French, Norwegian, and Laotian heritage. She divides her time between Germany—where she received recognition from the Academy of Fine Arts in Munich—France, and Luang Prabang, Laos, where she created Hoi Sang Unique Lao Jewellery, a cultural preservation project now carried forward by the Lao artisans. Her pieces have appeared in exhibitions, fashion shows, and performances in Cannes, Munich, New York City, and Luang Prabang. Collecting and reimagining discarded objects—transforming them into wearable pieces of art with a statement about the environment—defines the recurring ‘trash to treasure’ theme in her work.
STEFAN ULRICH, born in 1981, in Berlin, completed a traditional blacksmith apprenticeship in 2005. He then studied Metal and Industrial Design in Hildesheim and worked in various international contexts at the intersection of craft, design, and business. Alongside this, his artistic focus has always remained intuitive making. The pieces emerge through direct engagement with the material and, driven by personal impulses, become raw, intimate one-of-a-kind works. After returning to Germany, Stefan Ulrich founded his jewellery label MISFIT Jewellery in Munich in 2024. All pieces are in his Munich studio, where he lives and works.
EMILIA SAEZ (Buenos Aires, Argentina) is a multidisciplinary artist, architect, and urbanist based in Barcelona. Her creative language is rooted in a deep and intuitive connection to territorial identity, exploring how landscapes, cities, neighborhoods and communities shape our lived experience.
Through textile art and contemporary jewellery she develops the concept of wearable territories: each piece is conceived as an intimate fragment of a specific place, translated into form, material and texture. Her jewellery becomes a sensory and material dialogue where time, space, and memory converge.
Carefully crafted, her work unfolds as an emotional cartography, capturing the sensory imprints that places leave upon us and revealing the affective imprint of the environments we inhabit.
@suzetteoneofakindjewelry
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@misfit_jewelry_com
@micro.territorios
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